Start with the thing that actually matters for paid work: SynCut only surfaces tracks released for commercial use, and shows the license on every result. Then the precision tools that keep the edit you already made intact.
SynCut only surfaces tracks their creators released for commercial use without attribution, and puts each track's license right on the result with a link to the source. You see the terms before you place it. Discovery is ours; the license stays with the artist.
Generate a clean shortlist link — the client hears the synced previews, picks a favourite, and you're done. No BPMs, no jargon. You stop playing music supervisor.
Prioritize frame-accurate beat alignment for precision — or loosen it to surface tracks with the right energy when the feel matters more than the frame.
Detects your edit's drops, builds, and hits, and reads intros/verses/choruses in each track so a 30-second edit lands in one cohesive section.
Flags when a 2–3% tempo nudge turns a B-grade match into an A, and boosts results in compatible keys to keep the tonal feel across revisions.
SynCut runs inside your NLE. Available now in DaVinci Resolve on Mac, with more editors on the way.
Free while it is in beta, in DaVinci Resolve and Premiere Pro on Mac.
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