Music that matches the cut you already made.

Commercial editors cut to music. Every transition, every accent, every hit is timed to a track — and then a client asks for a different song the day before delivery. The old answers were bad ones: re-cut the edit from scratch, or gamble on a track that may not be cleared for paid client work.

SynCut takes a different path. It reads the cut points you already made, builds a beat profile of your edit, and finds commercially-licensed tracks whose beats land on those same cuts — so you swap the song without touching the timeline. Because the catalog is cleared for commercial use, the result is safe to ship in a paid client deliverable.

We build for working commercial editors and small studios — the people billing for client work. That focus is the whole point: built for editors, by editors.